“No Indian Friends” by Priya-Alika Elias
I’m thinking of answers to questions that we’re embarrassed to ask, like why we’re so quick to describe ourselves as “white on the inside.” I’m thinking of answers we don’t have yet, ways we can tear the roots of internalized racism out of little brown kids. I’m thinking of Toni Morrison explaining how she embraces the title “black woman writer,” because she didn’t consider it reductive to be writing as a black woman. It isn’t a place of weakness, she said. It’s a place of strength.
“The Fire and the Snow” by Jennifer Tseng
Writing a convincing story is like setting fire to your own hands using only the match of your imagination. Success seems unlikely but it is possible. In both scenarios, no one really goes anywhere and yet in both scenarios, with practice and concentration, hearts beat faster and bodies grow warmer.
“What Makes a Woman Is Less Important Than What Makes a Feminist” by Jill Filipovic
Part of the work is to push ideological boundaries, to listen to each other with respect even if that doesn’t translate into agreement, and to face injustice head-on while building the foundations of a kinder, more flexible, more expansive society.
“Hi. I used to be transphobic. Here’s a story about that.” by Sara Benincasa
I’ve come a very long way in this regard, and I feel good about that. Not proud, exactly – I don’t think one deserves a pat on the back for realizing, “Hey, I’m a hateful fucking asshole. I should stop being one of those.” But I’ve shown myself that people can change, if they want to. Person to person contact is the most important aspect of change. It is hard to look into another person’s eyes and hear their honest story and still fear them, or hate them, or see them as less than you.