Okay, I bought and finished Catching Fire, and can I just say: IS IT AUGUST ALREADY?! I want to read Mockingjay. Like, NOW!

Aaauuurrrrggghhhh.

{deep breath} Okay, anyway…

Since I can’t speed time up and make it August, I will just finish my reading binge (4 books in 3 days so far) with Scott Westerfield’s Uglies. I admit, with all this reading I haven’t been diligent about my outlining… but I will get back on it tonight! (I was going to say tomorrow, but we all know how easy it is to never make “tomorrow” become “today”.)

In the meantime, I think this “essay” by author Dani Shapiro is a must-read for any writer. A few gems:

“It doesn’t appear to be a matter of talent itself,” he wrote. “Some of the most natural writers, the ones who seemed to shake their prose or poetry out of their sleeves, are among the disappeared. As far as I can tell, the decisive factor is what I call endurability: that is, the ability to deal effectively with uncertainty, rejection, and disappointment, from within as well as from without.”

Today’s young writers don’t peruse the dusty shelves of previous generations. Instead, they are besotted with the latest success stories: The 18-year-old who receives a million dollars for his first novel; the blogger who stumbles into a book deal; the graduate student who sets out to write a bestselling thriller — and did.

The 5,000 students graduating each year from creative writing programs (not to mention the thousands more who attend literary festivals and conferences) do not include insecurity, rejection and disappointment in their plans. I see it in their faces: the almost evangelical belief in the possibility of the instant score. And why not? They are, after all, the product of a moment that doesn’t reward persistence, that doesn’t see the value in delaying recognition, that doesn’t trust in the process but only the outcome. As an acquaintance recently said to me: “So many crappy novels get published. Why not mine?”

Writers now use words like “track” and “mid-list” and “brand” and “platform.” They tweet and blog and make Facebook friends in the time they used to spend writing. Authors who stumble can find themselves quickly in dire straits. How, under these conditions, can a writer take the risks required to create something original and resonant and true?

The latter two I think are true of a lot of industries, not just writing, nowadays.

Yes, my generation grew up believing that things can (and should) happen right away. And yet, we also grew up goofing off online, wasting time but telling ourselves we’re just multi-tasking. It’s a funny contradiction: wanting results immediately, but putting off or drawing out the work indefinitely. There’s a lot written about how this is a problem for today’s employers, but I wonder if any of us are aware of just how big a problem it may be for us.

Anyway, I’m not here to pass judgment. I’m just saying that as much as I am a product of my generation — as much as I would love “the instant score,” and as much as I do waste time online — I am aware that writing is a long-haul kind of industry. And I’m here to go the distance. I’m here to cross that tundra. I’m here to work and wait as long as it takes.

(At least until August. Then I’m taking another reading break. :P)

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